Press & Essays
A Mother and Daughter Find Each Other in Art
Leah Triplett Harrington
Hyperallergic
September, 2023
Eve Biddle is Her Mother's Daughter
Laura Van Straaten
Town & Country
February, 2023
In the Balance: Between Painting and Sculpture, 1965-1985’ Review: Happy Medium
Andrew L. Shea
The Wall Street Journal
January, 2023
Mary Ann Unger
Leah Triplett Harrington
Sculpture Magazine
December, 2022
Editor's Choice
Maura Thomas
Sculpture Magazine
November, 2022
Mary Ann Unger
Jackson Davidow
Artforum
November, 2022
Balancing Acts
Jennie Goldstein
Whitney Museum of American Art
October, 2022
Shows to See in the US this August
Frieze, Exhibition Reviews
Frieze
August, 2022
Mary Ann Unger's Patterns of Movement
Cassie Packard
Frieze
July, 2022
Where the Body Ends: The Work of Maren Hassinger and Mary Ann Unger
Stephanie Sparling Williams
Woman's Art Journal
October, 2021
Whitney Museum Receives Works by Mary Ann Unger
Deena ElGenaidi
Hyperallergic
October, 2018
See New York's Most Stunning Public Art Shows This Spring
Sarah Cascone
artnet News
April, 2016
Geometry: Selected Works from the Estate of Mary Ann Unger
Kara L. Rooney
The Brooklyn Rail
July, 2011
Mary Ann Unger: Last Works
Mark Daniel Cohen
Review: The Critical State of Visual Art in New York
May, 1999
Mary Ann Unger, 53, a Noted Sculptor and Curator, Is Dead
Roberta Smith
The New York Times
January, 1999
Mary Ann Unger: Beneath the Skin
Judith Page
Sculpture Magazine
April, 1998
Review of Exhibitions: Mary Ann Unger at Trans Hudson
Jonathan Goodman
Art in America
October, 1997
Somatic Mediations
Carla Harryman
Trans Hudson Gallery
April, 1997
Unger's Sculptural Heroics
Douglas Drieshpoon
Trans Hudson Gallery
April, 1997
Sculpture
George Melrod
Sculpture Magazine
October, 1994
Sculptural Works that Defy the Limitations of Definition
Vivian Raynor
The New York Times
May, 1994
Images Made by Slicing and Reassembling
Vivian Reynor
The New York Times
April, 1994
Bridging Extremities
George Melrod
Public Art Review
October, 1993
Mary Ann Unger, Klarfeld Perry Gallery
Sylvia Netzer
Sculpture Magazine
July, 1992
Sculpture, Sculpture Everywhere
Michael Kimmelman
The New York Times
July, 1992
Mary Ann Unger at Klarfeld Perry
Robert Taplin
Art in America
June, 1992
Dark Icons
Joan Marter
Klarfeld Perry Gallery
June, 1992
Small Wonders
Kay Larson
New York Magazine
May, 1992
Nothing Stays Still
Arlene Raven
The Village Voice
April, 1992
American Beauties
Michael Brenson
The New York Times
March, 1991
The State of the City as Sculptors See It
Michael Brenson
The New York Times
July, 1990
A Blossoming of Sculptures
Esther Iverem
Newsday
April, 1990
A Sculpture Show with Strong Messages
Vivian Raynor
The New York Times
August, 1989
Going Beyond Slickness: Sculptors Get Back to Basics
Michael Brenson
The New York Times
March, 1989
Outdoor Sculptures Reflect Struggles of Life in the City
Michael Brenson
The New York Times
July, 1988
Commissions
N/A
Sculpture Magazine
July, 1987
Sculpture Carefully Created for a Site
William Zimmer
The New York Times
June, 1987
Weekend: Mary Ann Unger, Tweed Garden
Michael Brenson
The New York Times
December, 1986
Sculpture that Finds a Place in Great Outdoors
Edward Sozanski
The Philadelphia Inquirer
August, 1986
Art: Sculpture, ‘Figure As Image of the Psyche’
Michael Brenson
The New York Times
November, 1985
